“You Joke Because You Have Nothing Left?” — Colbert’s One-Liner Turns Karoline Leavitt and Nicholas Riccio Into the Punchline

The Ed Sullivan Theater in New York has seen many unforgettable moments: political faceoffs, musical triumphs, celebrity breakdowns. But on the night of September 8, 2025, it witnessed something else entirely—a public demolition so fast, so brutal, and so culturally seismic that it left the audience gasping.

Stephen Colbert, host of The Late Show, wasn’t in a mood for subtlety. The monologue began with his signature grin, but there was something sharper in the delivery, a coiled precision behind the jokes. He had a target, and the clip cued up behind him confirmed it: Karoline Leavitt.

Once hailed as the rising star of the far right—a communications prodigy for the MAGA crowd and a Fox News regular—Leavitt had earned herself a controversial spotlight. That night, Colbert turned that spotlight into a magnifying glass—and set it ablaze.

“Married her history teacher,” he said, barely pausing.

Karoline Leavitt posts intimate pics from 'stunning' wedding to husband  Nicholas Riccio as date of ceremony is revealedKaroline Leavitt posts intimate pics from 'stunning' wedding to husband  Nicholas Riccio as date of ceremony is revealed

The audience erupted. It wasn’t just laughter—it was an exhale, a roar, the collective gasp of viewers who had heard the rumor whispered online and now saw it dragged into the light, on national television.

Colbert, ever the maestro of timing, leaned back and let the reaction breathe. He didn’t need to say more. The phrase had done its job. It turned the political into the personal, the veiled into the viral.

And then came the twist.

Karoline Leavitt was there.

She stepped into the spotlight with the poise of someone trained to withstand pressure. Blonde, camera-ready, shoulders squared. But the smile? It was strained. The silence? Deafening.

Colbert turned. “You all know her,” he said. “The rising star of the MAGA circus. Let’s give her a warm welcome—she’ll need it.”

Applause, again. But colder. Sharper. The room was now a gladiator arena.

And then, out of nowhere, another voice rang out.

It wasn’t Karoline. It was Nicholas Riccio—her husband.

His entrance was quiet, but his words tried to thunder: “You joke because you have nothing left.”

The room stilled.

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For a moment, the air changed. A flicker of drama. Would this be the line that stopped the show?

Colbert didn’t blink.

“Nothing left?” he repeated, leaning in. “Nicholas, I still have a studio full of people laughing at you. That’s plenty.”

The eruption was immediate. It was nuclear. The theater shook. The laughter roared. And just like that, whatever Riccio thought he had built—the defense, the rebuttal, the moment of dignity—was reduced to rubble.

Karoline sat frozen. Riccio stared blankly. The stage belonged to Colbert now, and he wielded it like a blade.

Within hours, the clip hit CBS’s YouTube channel. By midnight, it was trending on Twitter (now X). TikTok flooded with slow-motion edits, dramatic remixes, reaction videos. Hashtags shot to the top: #ColbertClip, #HistoryTeacher, #RiccioDownfall.

Even political rivals took notice. Alexandria Ocasio-Cortez retweeted the clip with a single line: “This aged well in 5 seconds.”

The next morning, The Guardian ran the headline: “Colbert Reduces MAGA Darling to Viral Punchline.”

The damage wasn’t limited to the left. Conservative commentators, once Leavitt’s allies, began distancing themselves. “She walked into the lion’s den without a script,” one GOP strategist remarked. “And her husband handed him the sword.”

Merch exploded. Etsy sold out of shirts reading: “You joke because you have nothing left” on the front, and “That’s plenty” on the back. Riccio was suddenly a meme—a sitcom character, a symbol of well-meaning disaster.

Worse yet? He had silenced his wife.

In trying to defend her, he’d stolen her spotlight—and then burned it down.

Colbert, sensing the moment, doubled down the following night.

“Last night, I was accused of having nothing left,” he said in his opening. “And you know what? That’s true. Nothing left to say. They said it all themselves.”

Cue laughter. Cue applause. Cue a cultural moment cemented.

Leavitt, once poised for a major political role, now found herself ducking media. Paparazzi swarmed her office. Journalists flooded her inbox. Was Riccio speaking for her? Why didn’t she respond? Could she recover?

Politico ran a brutal op-ed: “She didn’t just lose the debate—she lost control of her own narrative.”

Insiders say Riccio hasn’t appeared publicly since. Their team is reportedly in crisis mode. Leavitt’s future in the political world is uncertain—her once-fiery voice now echoing with the awkward silence of that studio moment.

As for Colbert? He reminded everyone why late-night still matters. In an era of hot takes and headline churn, he crafted a moment—a scalpel disguised as satire.

“You joke because you have nothing left?” Riccio had asked.

Colbert answered without flinching.

“That’s plenty.”

And in that line, the punch was delivered.

Perfect. Precise. Permanent.