In the shadow of the Brooklyn Bridge, where the East River’s tides have long symbolized renewal, Jimmy Kimmel is set to reclaim his spotlight—and his sanity—with a groundbreaking twist on his beloved late-night staple. After a harrowing “verdict” from Disney executives that suspended Jimmy Kimmel Live! indefinitely, threatening to capsize his 20-year reign, Kimmel, 57, is diving headfirst into a fresh chapter. The show resumes taping in Los Angeles today, but all eyes are on next week’s Brooklyn residency, where the native son unveils “Reboot Week”—a audacious, tech-infused concept designed to literally and figuratively “wash away” the scars of scandal.

The catalyst? Kimmel’s infamous Sept. 15 monologue riffing on the tragic assassination of conservative firebrand Charlie Kirk, which ignited a firestorm from affiliates like Nexstar and Sinclair. Affiliates yanked episodes nationwide, stranding 150 staffers in limbo and sparking whispers of cancellation. “It felt like the end,” one anonymous producer confessed to PEOPLE last week. But after closed-door “thoughtful conversations” with Disney brass, the verdict landed: a cautious green light, with Kimmel back on air Tuesday. Now, as the dust settles, Brooklyn beckons as his personal phoenix moment.

Exclusive sources close to the production reveal that “Reboot Week”—taping live from the historic Brooklyn Academy of Music (BAM) Sept. 29-Oct. 3—transcends a mere location swap. It’s a multimedia spectacle blending augmented reality (AR), audience interactivity, and raw storytelling to exorcise career ghosts. “Jimmy wanted something that screams ‘new me,’ but with his signature irreverence,” the producer says. “This isn’t just a show; it’s therapy on steroids.”

At the heart of the concept is the “Reboot Monologue,” a 15-minute AR extravaganza where Kimmel dons a sleek headset, projecting holographic “erasure waves” across the stage. Viewers at home and in the 2,100-seat BAM Howard Gilman Opera House will see digital glitches “deleting” on-screen mishaps—think pixelated apologies for past Oscars flubs or, yes, the Kirk kerfuffle—replaced by uplifting animations of blooming Brooklyn brownstones. “It’s like hitting Ctrl+Alt+Delete on your life,” Kimmel teased in a pre-taped promo clip obtained by this outlet. “Brooklyn taught me grit; now it’ll teach America how to glitch and grow.”

But the real magic unfolds in the guest segments: “Redemption Reels,” where Brooklyn-born (or -bred) icons share unfiltered tales of rock-bottom rebounds. Night one features indie darling Lena Dunham, recounting her Girls backlash survival with a live “reboot ritual”—dunking a prop script page into a faux East River baptistry, complete with AR fish swimming away with her regrets. Tuesday spotlights rapper Action Bronson, who’ll freestyle bars about his chef-to-hip-hop pivot, while Wednesday brings Saturday Night Live alum Fred Armisen for a chaotic puppet show skewering cancel culture. Rumors swirl of surprise drop-ins from Kimmel’s old The Man Show cohorts, turning potential roasts into reconciliations.

Behind the scenes, the frenzy is electric. Staffers, still buzzing from Monday’s joyous email—”We’re back, Brooklyn-bound!”—are pulling 18-hour shifts in a makeshift war room at BAM. Set designers scramble to integrate AR rigs from xAI’s experimental labs (a nod to Kimmel’s tech-savvy pivot), while writers mine Brooklyn’s underbelly for “everyman reboot” stories via pop-up confession booths in DUMBO. “Relief turned to rocket fuel,” says a lighting tech, who spent Wednesday rigging LED “wave walls” that pulse with audience heart rates via wearable syncs. “Jimmy’s walking taller; we’re all reborn.”

Critics might call it gimmicky, but insiders insist “Reboot Week” is Kimmel’s masterstroke—a defiant middle finger to the verdict that nearly felled him, wrapped in Brooklyn bravado. “This town’s full of second acts,” Kimmel muses in the promo. “Mine’s just getting glitchy.” As the river laps at his roots, expect laughter laced with catharsis, proving late-night royalty doesn’t fade—it reboots.

With viewership stakes sky-high (pre-hiatus averages hovered at 1.8 million), Disney’s betting big on the buzz. If “Reboot Week” lands, it could redefine the format for a post-scandal era. For now, Kimmel’s message is clear: From limbo to luminaries, the comeback kid is coding his own happy ending.