On Gutfeld!, Tyrus described a certain high-profile figure’s rooftop cameo as less of a random stunt and more of a clever performance. From playful suggestions about over-the-top additions to highlighting how fast a project can move without red tape, Tyrus said the spectacle was a pointed contrast to the usual slow grind. “He’s turning the whole thing into a show — and everyone’s playing their part,” Tyrus quipped. Whether you call it theater or strategy, the move had everyone talking.

Fox News personality and former professional wrestler Tyrus has never been known for mincing words. But during a recent segment on Gutfeld!, his commentary on former President Donald Trump’s latest headline-grabbing antics went beyond political analysis — framing Trump’s behavior as a deliberate and effective act of trolling that exposes what Tyrus views as deep dysfunction in the political establishment.

The conversation started with the panel reacting to video clips of Trump appearing on the roof of the White House. The images, shared widely on social media, showed the former president surveying the grounds, joking with reporters, and — in typical Trump fashion — teasing possible new projects for the property.

Trump’s quips included ideas for a new ballroom, dance floor, barbecue pit, and even a “throne.” But according to Tyrus, there was more going on than just showmanship.

“He’s making a mockery of them all,” Tyrus said. “By showing what happens when you’re not corrupt and you just do what you said you were going to do.”

The Roof Heard ‘Round the Media

For much of the political press, Trump’s roof appearance was baffling. Cable news segments speculated about his motivations, with some commentators suggesting it was an attempt to distract from other issues, while others — more critical voices — hinted at erratic behavior.

Tyrus, however, framed the scene differently.

“Here he is on the roof and none of them could ever do anything unless they’re told, ‘Oh my God, he’s going to jump! He’s lost his mind! He’s on the roof!’” Tyrus mocked. “They just don’t have any creativity.”

According to Tyrus, the moment wasn’t random. It was part of a broader pattern in which Trump leverages spectacle to control the narrative and force his critics into overreaction.

From Ballroom to Barbecue Pit: The Project List

During the segment, the Gutfeld! panel joked about Trump’s ideas for the White House grounds — and how he would fund them. The former president has claimed that any upgrades or additions would come from his own pocket or from private donors, not taxpayer money.

Tyrus seized on that point, arguing that the efficiency and speed of privately funded projects — especially under Trump’s direction — is meant to highlight what he sees as the federal government’s waste and corruption.

“All these projects he’s doing — the Rose Garden, the roof — it’s showing the American people how corrupt our federal government is,” Tyrus said. “If it was federally funded, it would’ve been four times the money and never finished.”

For Tyrus, this isn’t just about construction; it’s about optics. Trump, he argues, is deliberately contrasting his approach with what he frames as bloated bureaucracy.

One-Upmanship as a Political Tool

Tyrus also suggested that Trump’s rooftop appearance was an act of “one-upmanship” — a way of subtly asserting dominance in both politics and the media landscape.

“He’s also doing the thing I have to do to my neighbors a lot,” Tyrus joked. “You get the brand-new John Deere lawnmower, you turn it up extra loud, and they’re like, ‘What’s going on?’ Oh, nothing, just cutting the grass in my new John Deere.”

In other words, Trump’s visibility — literal and figurative — is part of his brand. Whether it’s standing on a debate stage, holding a rally, or climbing onto the roof of the White House, the former president thrives on being seen and sparking conversation.

Media Frustration and Trump’s “Flair for the Dramatic”

Greg Gutfeld, the show’s host, quipped that Trump has “a flair for the dramatic,” while other panelists teased ideas about golf greens or even “nuclear missiles powered by solar energy” being added to the roof.

But beneath the humor was a clear acknowledgment that Trump’s theatrical instincts — long a hallmark of his political and business career — remain sharp. By doing something as unusual as appearing on the roof, Trump all but guaranteed media coverage, ensuring that his image and his talking points stayed in circulation.

Tyrus argued that this frustrates traditional media outlets, which he believes are perpetually trying to “figure out” Trump while missing the underlying strategy.

Tyrus’s Larger Point: Trump as the Anti-Bureaucrat

Throughout the segment, Tyrus returned to a central theme: Trump’s ability to position himself as the opposite of Washington’s entrenched bureaucracy. By funding projects privately and showing tangible results, Tyrus said, Trump draws an unflattering contrast with the slow pace and high cost of federally funded initiatives.

“What’s amazing is that all these projects he’s doing are showing the American people how corrupt our federal government is,” Tyrus reiterated. “He’s making a mockery of them all by showing what happens when you’re not corrupt and you just do what you said you were going to do.”

This message, Tyrus suggested, resonates with voters who are disillusioned with politics-as-usual — and it’s part of why Trump remains a potent force within the Republican Party.

Political Theater or Political Strategy?

Critics might dismiss Trump’s rooftop antics as pure theater, but Tyrus sees them as calculated moves that keep Trump’s opponents off balance. In his view, even seemingly trivial actions can serve a larger political purpose.

The rooftop episode, for example, allowed Trump to:

Dominate the news cycle — Cable news shows and online outlets ran the footage on loop, often with speculation-laden commentary.

Reinforce his outsider persona — By standing apart (literally above) Washington norms, Trump continues to present himself as a disruptor.

Highlight his own narrative about efficiency and cost — Using the moment to remind supporters that he claims to fund projects himself.

Tyrus argued that these are not accidental outcomes — they’re the result of Trump’s long-standing media instincts.

Why the “Mockery” Resonates with Trump’s Base

For Trump’s supporters, Tyrus’s framing of the rooftop moment as a kind of performance art hits home. Many already view Trump as someone who “gets things done” outside traditional channels, and see media outrage as confirmation that he’s still challenging the status quo.

Tyrus’s commentary also taps into a broader conservative critique of government inefficiency and corruption — a theme that has been central to Republican messaging for decades but has taken on new intensity in the Trump era.

By linking the rooftop appearance to tangible issues like project costs and timelines, Tyrus connects an oddball news moment to pocketbook concerns, reinforcing the idea that Trump’s style has substance behind it.

The Risks of the Strategy

While Tyrus and others on the panel celebrated the moment, there are risks to Trump’s approach. For undecided voters or those fatigued by constant political spectacle, such stunts can be seen as unserious or distracting from substantive policy discussions.

Moreover, critics argue that privately funded projects at the White House could raise ethical questions about donor influence or bypassing oversight. Those concerns, however, were largely absent from the Gutfeld! discussion, which focused instead on the optics and media dynamics.

Tyrus’s Bottom Line

Tyrus’s verdict on the rooftop moment was unequivocal: it was a win for Trump.

“It’s great that he was having some fun with them,” Tyrus said, referring to the media and political critics. “He’s making a mockery of them all.”

Whether one sees that as a positive or a negative depends largely on political perspective. For Tyrus and much of the Gutfeld! audience, it’s proof that Trump remains a master at bending the news cycle to his advantage — and that even a stroll onto the roof can be turned into a political statement.

Conclusion: The Theater Continues

The image of Donald Trump on the White House roof — surveying the grounds, tossing out big ideas, and soaking in the attention — is likely to linger in the political imagination. To supporters, it’s another example of his willingness to break norms and thumb his nose at the establishment. To detractors, it’s a distraction from more pressing issues.

For Tyrus, it’s something else entirely: a strategic act of mockery aimed at exposing inefficiency, corruption, and the self-seriousness of Washington politics.

And in that reading, the rooftop wasn’t just a perch — it was a stage.